The Dresden Exhibition Group
Alexis Demos, born 1982, and Markus Jähnichen, born 1978, studied Politics and Later and Latest History at Dresden Technical University. Their exhibition project is titled Information in Formation.
Anne Kirchberg, born 1982, studied Later and Latest History and Politics at Dresden Technical University. Her exhibition project is titled ‘It was a courageous decision to stay’—Former foreign contract workers in the GDR and their story of 1989.
Mario Kliewer, born 1982, studies History for a Master’s degree at Dresden Technical University. His exhibition project is titled Who Owns the Street?
Malte Krumrey, born 1984, studies Later and Latest History and Politics at Dresden Technical University. His exhibition project is titled ‘Let the old houses stand’ – Awakening and Change in Dresden’s Äußere Neustadt.
Sebastian Richter, born 1976, is a research assistant at the Department of Contemporary History at Dresden Technical University. He acts as a mentor to the Dresden team.
Ramona Nestler, born 1989, studies Pedagogy at Chemnitz Technical University. She worked on the exhibition during her work practice at Weiterdenken - Heinrich-Böll-Stiftung Sachsen.
Laura Keller, working as a volunteer with Weiterdenken in her Voluntary Social Year / Politics, assisted the team in looking after the exhibition rooms and preparing and organizing the accompanying events.
Kathrin Bastet, born 1978, Educational Expert with Weiterdenken - Heinrich-Böll-Stiftung Sachsen assists the Dresden team and organizes the accompanying programme in Dresden.
Dr. Peter Skyba, contemporary historian and journalist, is the scientific leader of the entire project and has acted as an advisor to the teams in Dresden, Prague, Wrocław, and Bratislava.
Stefan Schönfelder acts as project leader. He came to Dresden from Weimar in 1986 to study Architecture and has been working with Weiterdenken - Heinrich Böll-Stiftung Sachsen since 1999, rising to Secretary in 2007.
Ruairí O‘Brien designed the exhibition architecture. He has managed to translate the idea of a longitudinal section in time into the individual exhibition bodies.